Curtain Call
Included in the book "Six Short Plays Anyone Can Do" available on Amazon (https://tinyurl.com/2m2bsbts)
COMING FALL 2025, Curtain Call will be available in the compilation
COMEDIES FOR THE VIRTUAL STAGE: Short Plays Adaptable for Online Performance
Paperback ISBN - 978-1-968919-04-7, Ebook ISBN - 978-1-968919-05-4
2023: The Drama Workshop, Cincinnati, Ohio, Production
2023: The North Street Playhouse, Production
2021: PlayZoomers, Productions
"Sometimes there is no telling a writer when a performance is bad and that is what this wonderfully timed comedy centres around. Greg's wonderful characterisation is something I love in a lot of works and here you get to enjoy four wonderfully strong characters as they debate the performance they were just a part of. As well as being wonderfully funny it also provides a fabulous insight into the world of theatre, and there can be no debate about that! - Rachel Feeny-Williams
"GREG HATFIELD has hit-the-nail-on-its-head, so to speak, with a delightful comedy of the insecurities actors can have. “Curtain Call” will delight audiences and surely remind us of an actor or two, who felt they were hopelessly terrible although their performance was joyful." -Jack Levin"The only more insecure people in theatre other than playwrights are actors. Even with adulation and adoration flowing at them like a riptide, they have doubts about their own work and will believe the slightest misstep or flaw is a harbinger of Doom; or worse, a bad review. For this legendary couple, numerous curtain calls and rapturous applause are suspect because... well, only an actor can explain it (or a playwright). Greg Hatfield's delightful comedy would be perfect for a short play festival, and the actors would earn the genuine applause." - Philip Middleton Williams
A married acting couple — glamorous, talented, and utterly exhausted by each other — finish their first performance of a new play. Instead of celebrating, they quarrel over missed cues, poor choices, and whether they should even continue in the run, all to the chagrin of the playwright, who is also in the cast and thinks the show went perfectly. Modeled after the legendary Alfred Lunt and Lynn Fontanne, and Noel Coward, this one-act comedy finds both heartbreak and hilarity in the rituals of the stage.